Interiors

Adrienne Murr

'Bridgerton’ Floral Designer Phillip Corps Is Setting Spring’s Biggest Flower Trends

Returning for his third season arranging the floral backdrops of “Bridgerton,” Phillip Corps talks through the blooms of Cressida's bubblegum pink-drenched party, the sculptural florals of the fateful masquerade ball, and the draped ornamental garlands of Hyacinth's recital scene.

What The Fashion World’s Creative Directors Share With Film Design

How the Hair Team For 'Love Story' Pulled Off Sarah Pidgeon's CBK Blonde Transformation

In 'Industry,' the Female Leads Wear Their Wardrobes As Armor

How Production Designer Christian Huband Designed A Mansion Worth Killing For

Inside the Revealing Undercover ’70s Wardrobes of ‘Dark Winds’ Season Four

How Sarah Evelyn Used Couture To Satirize Bella Hadid, Ashton Kutcher & Nicola Peltz In 'The Beauty'

The Costume Designer For ‘Love Story’ Used Luxury Vintage To Save The Show From Near Fashion Misfire

'Bridgerton' Production Designer on How To Bring The Maximalist Opulence Of The Show Into Your Own Home

Annalise June Kamegawa

How Production Designer Suzie Davies Made Every Space in 'Wuthering Heights' Feel Like Both A Fairytale And A Prison

Annalise June Kamegawa

To Bring Authenticity To 'Pillion,' The Costume Designer Embedded Herself In The Gay Biker Community

The Costumes In ‘Hamnet’ Are Just as Beautifully Heartbreaking as the Movie

The ‘Bridgerton’ Masquerade Costumes Channel Anna Wintour, Marie Antoinette, and Cinderella (Of Course)

How The Creature Designer For 'Frankenstein' Gave An Iconic Character A New Look

In 'Eternity,' Everyone Wants to Show Up Dressed As Their Best Selves

In BDSM Romance 'Pillion,' Boundaries Are Drawn Through Haircuts and Tattoos

Shop Our 'Wuthering Heights' Inspired Gift Guide

Creating the Immersive, Tactile, and Sun-Dappled World of ‘Train Dreams’

Annalise June Kamegawa

How 'Marty Supreme' Took Over Streetwear and Turned Movie Merch Into a Must-Have

Two-Time Oscar Winner Ruth E. Carter Comes Full Circle With ‘Sinners’

Deborah L. Scott Knows More About Creating Costumes For Performance Capture Than Anyone Else

How 'Fallout' Kept Humanity Just Beneath the Surface in Goggins' Ghoul

Christina Flannery’s Guide to Designer Vintage, LA It-Girls, & Personal Style in the Internet-Era

Everyone’s Talking About Tessa Thompson’s Bold ‘His & Hers’ Wardrobe

In 'Jay Kelly,' George Clooney Plays a Movie Star in Crisis—But Styled To Perfection

What The Fashion World’s Creative Directors Share With Film Design

How the Hair Team For 'Love Story' Pulled Off Sarah Pidgeon's CBK Blonde Transformation

In 'Industry,' the Female Leads Wear Their Wardrobes As Armor

How Production Designer Christian Huband Designed A Mansion Worth Killing For

Inside the Revealing Undercover ’70s Wardrobes of ‘Dark Winds’ Season Four

How Sarah Evelyn Used Couture To Satirize Bella Hadid, Ashton Kutcher & Nicola Peltz In 'The Beauty'

The Costume Designer For ‘Love Story’ Used Luxury Vintage To Save The Show From Near Fashion Misfire

'Bridgerton' Production Designer on How To Bring The Maximalist Opulence Of The Show Into Your Own Home

Annalise June Kamegawa

How Production Designer Suzie Davies Made Every Space in 'Wuthering Heights' Feel Like Both A Fairytale And A Prison

Annalise June Kamegawa

To Bring Authenticity To 'Pillion,' The Costume Designer Embedded Herself In The Gay Biker Community

The Costumes In ‘Hamnet’ Are Just as Beautifully Heartbreaking as the Movie

The ‘Bridgerton’ Masquerade Costumes Channel Anna Wintour, Marie Antoinette, and Cinderella (Of Course)

How The Creature Designer For 'Frankenstein' Gave An Iconic Character A New Look

In 'Eternity,' Everyone Wants to Show Up Dressed As Their Best Selves

In BDSM Romance 'Pillion,' Boundaries Are Drawn Through Haircuts and Tattoos

Shop Our 'Wuthering Heights' Inspired Gift Guide

Creating the Immersive, Tactile, and Sun-Dappled World of ‘Train Dreams’

Annalise June Kamegawa

How 'Marty Supreme' Took Over Streetwear and Turned Movie Merch Into a Must-Have

Two-Time Oscar Winner Ruth E. Carter Comes Full Circle With ‘Sinners’

Deborah L. Scott Knows More About Creating Costumes For Performance Capture Than Anyone Else

How 'Fallout' Kept Humanity Just Beneath the Surface in Goggins' Ghoul

Christina Flannery’s Guide to Designer Vintage, LA It-Girls, & Personal Style in the Internet-Era

Everyone’s Talking About Tessa Thompson’s Bold ‘His & Hers’ Wardrobe

In 'Jay Kelly,' George Clooney Plays a Movie Star in Crisis—But Styled To Perfection

Production Designer

Discover my world and inspirations

AlexandraSchaller

Discover my world and inspirations

Train Dreams

House of Spoils

Y: The Last Man

After Yang

Little Voice

Ramy

The After Party

The Get Down

"Nature was such an important part of the movie. We wanted that interplay between the cabin and its surroundings—we wanted it made out of real logs, because we wanted to feel the trees and be reminded of nature.”